![]() ![]() This is an easy one, however… Contrast in size For example PT Serif bold 16px with PT Serif Regular 16px. When you stay with the same typeface, a bold and regular combination often works well. On a very basic level, you can use font weights for good font pairing. Somewhere in the middle is the answer and the following 5 tips help you find that balance. The general lesson and my general advice in one sentence would be: when pairing two fonts, don’t make them too different, but also don’t make them too similar. or you can’t tell the difference and want to train your eye in differentiating the good from the bad examples.įont pairing: A balance between similarity and differenceĪll the tips and bits of advice below are about finding a balance between similarity and difference contrast if you will.But don’t know how to achieve this yourself. aware of what good font pairing looks like and can spot the difference between good and bad font pairing. ![]() A visual more aesthetically pleasing design raises trustworthiness, according to the research of NNGroup: “Design quality: professional appearance feels solid” and this article about the relation on design quality and reliability I myself dive deeper into the topic ‘Why Beauty Matters’ here. Good font pairing makes a design more pleasant to look at. In this article, I will show you how I pair fonts, what tips I have for you and show you good and bad examples. ![]() But good font-pairing can make or break design in terms of aesthetics, hierarchy, and balance. A few years full of design experience later I still see very few good articles explaining the know-how on pairing fonts. When I was very unfamiliar with the tips and tricks around font pairing, I had a hard time finding answers on Google. ![]()
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